Girls Will Be Girls Review: A Powerful Coming-Of-Age Drama On Desire And Unspoken Emotions Of Growing Up


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Girls Will Be Girls lingers long after it ends, leaving you reflecting on the unspoken emotions that define our relationships and ourselves.

Girls Will Be Girls Review: A Powerful Coming-Of-Age Drama On Desire And Unspoken Emotions Of Growing Up

Girls Will Be GirlsA

4/5

18 December 2024|English2 hrs 13 mins | Romance, Drama

Starring: Preeti Panigrahi, Kani Kusruti, Kesav Binoy KironDirector: Shuchi TalatiMusic: Pierre Oberkampf; Sneha Khanwalkar

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Girls Will Be Girls review

: Shuchi Talati’s Girls Will Be Girls delicately unpacks adolescence, female desire and the complexities of relationships. Headlined by Preeti Panigrahi as Mira, this coming-of-age drama unfolds with unhurried grace, drawing the audience into its world with an intimacy that feels almost intrusive.

Mira, the central character, is the head prefect at her boarding school nestled in the foothills of the Himalayas. She is poised, disciplined and ambitious. But underneath this calm and composed exterior lies a young teenager on the brink of discovering her own desires and agency. When she meets Sri (a delightful Kesav Binoy Kiron), a new classmate at the astronomy club after school hours, sparks fly and her carefully structured life begins to unravel.

What sets Girls Will Be Girls apart is how it allows Mira’s story to breathe. Shuchi Talati’s pacing feels deliberate, and while the narrative unfolds slowly, it never feels indulgent. The silences, the stolen glances and the tensions are as important as the words exchanged in Mira and her mother Anila’s (Kani Kusruti) world.

Preeti Panigrahi is extraordinary as Mira, delivering a performance that speaks volumes even in silence. Talati puts great trust in her actor, using close-ups to show the emotions simmering beneath Mira’s otherwise calm surface. Preeti shines in capturing Mira’s vulnerability, strength and confusion. Kesav Binoy Kiron as the charming NRI teenager is equally fantastic. He plays the role with an effortless ease that’s hard to miss.

Mira’s relationship with her mother Anila is the film’s emotional core and it is complex. Anila’s love for Mira is undeniable, but it is tinged with possessiveness and a bit of envy. As Mira starts to come of age, Anila’s response shifts between protectiveness and almost hostility, mirroring the silent outbursts of a woman who never got to come of age herself. Kani Kusruti delivers a nuanced performance, bringing to life a character who is both flawed and relatable.

The film doesn’t shy away from uncomfortable truths, exploring themes of female, sexual desires that are often thwarted by societal repression. The slow buildup never feels tedious. In fact, the pacing allows one to see the world as Mira does, with all its uncertainties. Talati beautifully captures the sense of discovery that comes with adolescence — the joy, the heartbreak and everything in between.

Girls Will Be Girls offers a fresh perspective on themes that are both timeless and timely. It’s a film that lingers long after it ends, leaving you thinking about the unspoken emotions that define our relationships and perhaps, ourselves. A must watch.

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